Sublime
An inspiration engine for ideas
"Our primary barrier is what I have been saying since I started this job at OSF, and had actually been saying it at the Denver Center too: This industry has relied so heavily on one generation of theatregoer. And that generation has been great to us; they have come to see our shows, they have given us their resources, they have put us in their will
... See moreAmerican Theatre • Oregon Shakes Restructures, Scales Back With Eye to Future
The Kuleshov Effect
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
‘proscenium arch’
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
the Kuleshov Effect.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Nineteen twenty-three was one of Broadway’s brightest years. John Barrymore played Hamlet just a few blocks away from where his sister Ethel was appearing in Romeo and Juliet. Elmer Rice’s The Adding Machine and Pirandello’s Six Characters in Search of an Author also opened. Most critics cited Galsworthy’s Loyalties as the best play of the season.
A. Scott Berg • Max Perkins: Editor of Genius
