Sublime

“artwork personalization.”

Cy the finder, the collector, the gatherer of impractical old things, at least in Rauschenberg’s version. “He’s worse than a collector,”

The paintings and objects were not signed; they were not intended to be works of individual expression. Most were collaborative efforts, including many of the paintings commonly attributed to Verrocchio himself. The goal was to produce a constant flow of marketable art and artifacts rather than nurture creative geniuses yearning to find outlets for

Philippe Ségalot.

of their artists’ work.