Sublime
An inspiration engine for ideas
What logic could possibly be upended by punks, goths, gabbers, or neo-pagans when the internet, a massively lucrative space of capitalization, profits off the personal expression and political conflict of its users?
Caroline Busta • The Internet Didn’t Kill Counterculture—you Just Won’t Find It on Instagram
copacetic.
Nick Cave • Faith, Hope and Carnage
The fact that entirely new global networks and economies were spawned by fair agreements between musicians, designers, and organisers. The individual is truly more independent under an interdependent regime, with a network of people who have their back, or an audience of people who cover their expenses.
George Howard • Web3 As An Interdependent Economy: A Conversation With Mat Dryhurst
don’t really have to conform to the rules the world has laid down for me, because the world feels chaotic and random and, well, indifferent to any rules.
Nick Cave • Faith, Hope and Carnage
The things we believe carry a charge regardless of whether they can be proven or not.
Rick Rubin • The Creative Act: A Way of Being
Live among your fellow freaks, where obsession is normal and ambition is rewarded.
Derek Sivers • How to Live: 27 conflicting answers and one weird conclusion
At the height of their prowess, pre-internet cultural elitists tapped into veins of esoteric knowledge via subcultural infrastructure that the mainstream could not or would not access, and then imprinted that knowledge upon themselves thoroughly enough that they could reliably transmit it to others.
Drew Austin • #187: A Rainbow in Curved Air
UNIQUENESS AND BELONGING
Matt Wallaert • Start at the End: How to Build Products That Create Change
an asocial monster.”