Sublime

There were four in Joy Division – Curtis, Bernard Sumner, Peter Hook and Stephen Morris – but Ian was their eyes and ears: it was he who propelled them into uncharted territory – songs like ‘Dead Souls’ which, cold as the grave, has the infinity of a Gustave Doré hell.

When you’re young, death often isn’t part of your world. When Ian Curtis committed suicide in May 1980, it was the first time that many of us had had to encounter death: the result was a shock so profound that it has become an unresolved trauma, a rupture in Manchester’s social history which has persisted through the city’s worldwide promotion as M

Did people admire Ian Curtis for the very things that were destroying him?

Like punk, they used pop music as the means to dive into the collective unconscious, only this was not Dickensian London, but De Quincey’s Manchester: an environment systematically degraded by industrial revolution, confined by lowering moors, with oblivion as the only escape.

the tortured artist, too fast to live, too young to die. This