Sublime

It is part of a larger set of processes in which everything once considered personal has to be recreated and deployed in the service of adding dollar or prestige value to one’s electronic identities.

For him, the 1990s opened onto a hyper-industrial era, not a post-industrial one, in which a logic of mass production was suddenly aligned with techniques that, in unprecedented ways, combine fabrication, distribution, and subjectivation on a planetary scale.

it is the hybrid and dissonant experience of living intermittently within modernized spaces and speeds, and yet simultaneously inhabiting the remnants of pre-capitalist life-worlds, whether social or natural.