Sublime
An inspiration engine for ideas
found when he joined the online community was that he was no longer simply creating animations or games; he was part of a larger conversation.
Douglas Thomas • A New Culture of Learning
Gossip’s power as a “feminine discourse” lies in its ability to make the abstract concrete, to transform issues of public concern into topics of personal significance.
Henry Jenkins • Textual Poachers: Television Fans and Participatory Culture
central attribute
Limor Shifman • Memes in Digital Culture (MIT Press Essential Knowledge)
that fans see the fictional characters and their actions as simultaneously “real” and “
Henry Jenkins • Textual Poachers: Television Fans and Participatory Culture
blurred generic boundaries of network programing.
Henry Jenkins • Textual Poachers: Television Fans and Participatory Culture
effective preservation must rest in large measure on the cultivation of new social practices to attend our new media. These
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
Fannish reading will be understood in this book as a process, a movement from the initial
Henry Jenkins • Textual Poachers: Television Fans and Participatory Culture
most fans would have access to more than one interpretive framework for positioning these specific images.
Henry Jenkins • Textual Poachers: Television Fans and Participatory Culture
Precisely because the boundary between writer