Sublime
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media theory
Andrew Golis • 1 card
effective preservation must rest in large measure on the cultivation of new social practices to attend our new media. These
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
With most content existing online, it is much easier to track attribution and the original source of a remix. This is critical, because populations whose work has historically been appropriated, can now more freely share their work online to be discovered and transformed.
Maria Salamanca • Remix Culture: Jumpstarting Creativity
adopted series will initially be comprehended through its similarities and differences to other already canonized programs
Henry Jenkins • Textual Poachers: Television Fans and Participatory Culture
“The packaging of all moving images as equitable content “has created a situation in which everything is presented to the viewer on a level playing field, which sounds democratic but isn’t,” Scorsese continues. “If further viewing is ‘suggested’ by algorithms based on what you’ve already seen, and the suggestions are based only on subject matter or... See more
Thomas Klaffke • Visualizing Minimalist Design
base for critiquing many of the policies of Web 2.0 companies that seek to capitalize on free labor or commodify the gifts fans share.
Henry Jenkins • Textual Poachers: Television Fans and Participatory Culture
Given the strength of recommendation media platforms like TikTok and YouTube, and the way traditional social media platforms are chasing them, it seems likely Professional Media platforms (such as Netflix) may try to follow suit (in fact, Netflix’s co-CEO, Reed Hastings, may have even foreshadowed this when he famously stated that his biggest... See more