Sublime
An inspiration engine for ideas
Tarkovsky's Diaries:
(17th June 1973)
"'Andrei Rublev' (1966) is being shown in Sweden. According to Bibi Anderson, Bergman called Rublyov the best film he has ever seen."
--- Andrei Tarkovsky https://t.co/uLWNeIL1lA
DepressedBergmanx.com
Aleksandr Nevsky (Sergei M Eisenstein)
Au Hasard Balthazar (Robert Bresson)
Berlin Alexanderplatz (Rainer Werner Fassbinder)
Frenzy (Alfred Hitchcock)
M (Fritz Lang)
Man with a Movie Camera (Dziga Vertov)
The Passion of Joan of Arc (Carl Theodor Dreyer)
The Round-Up (Miklós Jancsó)
Tokyo Story (Yasujirô Ozu)
Vivre Sa Vie (Jean-Luc Godard)
Au Hasard Balthazar (Robert Bresson)
Berlin Alexanderplatz (Rainer Werner Fassbinder)
Frenzy (Alfred Hitchcock)
M (Fritz Lang)
Man with a Movie Camera (Dziga Vertov)
The Passion of Joan of Arc (Carl Theodor Dreyer)
The Round-Up (Miklós Jancsó)
Tokyo Story (Yasujirô Ozu)
Vivre Sa Vie (Jean-Luc Godard)
The notion that truth is an inner quality corrupted by outer realities is one that cuts through everything Bergman writes and thinks, and the consequence of that notion is something he injects into the character behind those sensitive hands, the face with the broad forehead and the soft mouth, in the form of a single, striking characteristic