Sublime

Grace Macaulay, then: seventeen, small and plump, with skin that went brown by the end of May. Her hair was black and oily, and had the hot consoling scent of an animal in summer. She disliked books, and was by nature a thief if she found a thing to be beautiful, but not hers. She didn’t know she couldn’t sing. She was inclined to be cross.

Grace Macaulay – in whose veins ran Essex rivers and Bible ink; in whose philosophy the devils of hell and the saints of Bethesda did battle with her reason and her nature – sat with her phone on the bare floor of a Hackney room and thought of Thomas Hart. Come home, he’d written, you wretched child, and I am wretched, she thought, and I think I’d

Grace is the invincible advocate of freedom and the absolute expression of perfect love.

Story of a Soul.

‘This is Thomas,’ said Grace, without explanation. She stood close by the boy with the ease of long acquaintance, and seemed to Thomas they were in some way ranged against him – that it was possible to make out some connective tissue dissolving between himself and Grace, and re-forming between the other two.

He held out his hand. Grace looked at it, and her own hand lifted in response. Then she remembered her anger at the power he exerted over her happiness, and how unconsciously he exerted it; so she put her hands in her pockets, and shrugged, and delighted to see him flinch against this small refusal.