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The Straussian Moment
gwern.net
You can’t ever reach perfection, but you can believe in an asymptote toward which you are ceaselessly striving.
Paul Kalanithi • When Breath Becomes Air
The Work of Art in the Age of Mechanical Reproduction
This document explores the effects of mechanical reproduction on art, discussing the change in perception, the relationship between mass and art, and the influence of technology and politics.
web.mit.eduThe artist is distinguished from all other responsible actors in society — the politicians, legislators, educators, and scientists — by the fact that he is his own test tube, his own laboratory, working according to very rigorous rules, however unstated these may be, and cannot allow any consideration to supersede his responsibility to reveal all t
... See moreMaria Popova • James Baldwin on the Creative Process and the Artist’s Responsibility to Society
From George Saunders, on nuance and embracing complexity:
... See morethe writer doesn't have to have a fixed firm idea, but has to be able to take the reader on a journey to remind her that the world is complicated. From the very beginning, I understood writing to be about some kind of moral or ethical imperative. Absent that, I'm not that interested in it, ac
I believe the influence of Kierkegaard on Camus is underestimated. I believe Dennis Gabor may very well have been the Antichrist. I believe Hobbes is just Rousseau in a dark mirror. I believe, with Hegel, that transcendence is absorption.
David Foster Wallace • Infinite Jest
The same goes, of course, for human beings. The distancing effect of language facilitates exploitation, cruelty, murder, and genocide. When the other party to a relationship is a mere member of a generic category, be it “customer,” “terrorist,” or “employee,” exploitation or murder comes much more easily. Racial epithets serve the same purpose: we
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