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She was Melissa’s oldest, boldest friend. They had gone to the same primary school. Hazel worked in advertising. She had a wide and glamorous smile behind which was an oft-foul tongue, and long, bouncing, half-French, half-Ghanaian curls falling down her back, the most beautiful, the most envied of their schoolgirl pack, the one the boys always
... See moreDiana Evans • Ordinary People: Shortlisted for the Women's Prize for Fiction 2019
Ali LaBelle on Substack
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Uses of the Erotic: The Erotic as Power
Audre Lorde explores the power of the erotic as a force of empowerment for women, challenging societal suppression and reclaiming the importance of deep, unapologetic feeling in personal and collective liberation.
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Sasha Fierce asks ‘Why Don’t You Love Me?’ - Lunch Ticket
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