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Leigh’s elm, Jean’s ash, Emmett’s ironwood, and Adam’s maple, each made from identical green puffballs.
Richard Powers • The Overstory: A Novel
Sojourns in the Parallel World: America Ferrera Reads Denise Levertov’s Ode to Our Ambivalent Relationship with Nature
Maria Popovathemarginalian.org
Robinson Jeffers
Ken I. McLeod • Reflections on Silver River
Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota
poetryfoundation.org

Mary Ruefle is the author of My Private Property (Wave Books, 2016), Trances of the Blast (Wave Books, 2013), Madness, Rack, and Honey: Collected Lectures (Wave Books, 2012), a finalist for the National Book Critics Circle Award in Criticism and winner of the William Carlos Williams Award from the Poetry Society of America. She has published ten books of poetry, a book of prose (The Most of It, 2008), and a comic book, Go Home and Go to Bed!, (Pilot Books/Orange Table Comics, 2007); she is also an erasure artist, whose treatments of nineteenth century texts have been exhibited in museums and galleries, and published in A Little White Shadow (2006)
instagram.comAcross the road from where she’s parked, aspens tumble down the basin toward Fish Lake, where five years earlier a Chinese refugee engineer took his three daughters camping on the way to visiting Yellowstone.
Richard Powers • The Overstory: A Novel
we embark on a mysterious paratactic excursion, with no punctuation and no hint, for what seems an age, that our destination is the dentist’s chair: “we go down… and feel … and wake … and come to the surface … and confuse…” Everything tends toward the sentence’s second and final dash—the first dash, the dentist’s, may as well be any instrument at a
... See moreLiterary Hub • On a Wonderful, Beautiful, Almost Failed Sentence By Virginia Woolf
garrulous