Sublime
An inspiration engine for ideas
Moderation is hard. It’s time and resource-intensive, and it’s unclear what the standards should be
Gaby Goldberg • The Invisible Labor of Content Moderation
Emily in Paris may as well have been a screen saver of Paris,
Kyle Chayka • Filterworld
Decades of propaganda about television being bad for you in the twentieth century created this anxiety, but the promotional machine around those early twenty-first-century shows made it chronic: the bizarre need for artists to disavow the medium they work in, and for viewers to disavow the thing they enjoy.
Anne Helen Petersen • "Taste Hierarchies Like These Stink"
perfunctory
Jia Tolentino • Trick Mirror: Reflections on Self-Delusion
view. The
Chuck Klosterman • The Nineties: A Book
critics and scholars of new media need to begin exhibiting critical habits that are more sensitive to the mature material conditions of new media. Here