Sublime

Grace Macaulay, then: seventeen, small and plump, with skin that went brown by the end of May. Her hair was black and oily, and had the hot consoling scent of an animal in summer. She disliked books, and was by nature a thief if she found a thing to be beautiful, but not hers. She didn’t know she couldn’t sing. She was inclined to be cross.

Cowper.”

Cecilia (1782) and Camilla (1796) are by Frances (or Fanny) Burney; Belinda (1801) is by Maria Edgeworth. Burney, the most acclaimed novelist of the late eighteenth century, was, along with Samuel Richardson, the most important influence on Jane Austen’s work. Burney’s novels consistently focus on the tribulations—romantic and otherwise—of a young

James and Isabella led the way; and so well satisfied was the latter with her lot, so contentedly was she endeavouring to ensure a pleasant walk to him who brought the double recommendation of being her brother’s friend, and her friend’s brother, so pure and uncoquettish were her feelings, that, though they overtook and passed the two offending you

They were both tall, and their eyes were on a level; but imagine Rosamond’s infantine blondness and wondrous crown of hair-plaits, with her pale-blue dress of a fit and fashion so perfect that no dressmaker could look at it without emotion, a large embroidered collar which it was to be hoped all beholders would know the price of, her small hands du

barouche.

Charles Dickens

Sibyl—if

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