Sublime
An inspiration engine for ideas
In the tearoom there is a sober veneration for unadorned rusticity, for the greatness to be found in the most restrained expression of the humble and simple.
Andrew Juniper • Wabi Sabi: The Japanese Art of Impermanence
“…buildings should have enough care, complexity and emotional intelligence built into them that the people who pass them by every day are nourished by them.“ Thomas Heatherwick
Medium • 11: Post-traumatic urbanism and radical indigenism
“A neighbourhood is not only an association of buildings but also a network of social relationships, an environment where the feelings and the sympathy can flourish.” -
Jane Jacobs
Alexi Gunner • idle gaze 002: Community thrives through bustling neighbourhoods and casual chatter.
He’s an architect’s architect; he told me he’s interested in how buildings can help do the metaphysical work of what the philosopher Martin Heidegger called true dwelling—a social triad made of people, one to another and in their environments.
Sara Hendren • What Can a Body Do?: How We Meet the Built World
Alexander is inspired by how design occurs in the natural world. "Things that are good have a certain kind of structure," he told me. "You can't get that structure except dynamically. Period. In nature you've got continuous very-small-feedback-loop adaptation going on, which is why things get to be harmonious. That's why they have the qualities tha... See more
Tomas Petricek • On architecture, urban planning and software construction
Christopher Alexander was known for his theories on bringing humanity into architecture. He believed everyone possessed the ability to create and design a space that he called alive. His book, Pattern language, is based on core belief that people should design their own communities. Observation is that some of the best places in the world were desi
... See moreColin Dunn • - YouTube
Taking architecture seriously therefore makes some singular and strenuous demands upon us. It requires that we open ourselves to the idea that we are affected by our surroundings even when they are made of vinyl and would be expensive and time-consuming to ameliorate. It means conceding that we are inconveniently vulnerable to the colour of our wal
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