Sublime

creator of the Smithsonian Museum’s “Programs in Black Culture,” and one of the leading authorities on Black American music culture,

Birdwell saw now what Latimer and Jones had seen years before: “He signed every letter,” no matter how brief, or how unimportant the subject matter. “No one rubber-stamped his name on a letter. He looked at and read every letter. If we wrote something that didn’t sound right, why, it was rewritten.” Success seemed only to have increased his tension