Sublime
An inspiration engine for ideas
The subtitles, which make the most muffled speeches comprehensible, are an interference, though the raggedness of the sound makes Pialat's point: this isn't rhetorical dialogue, addressed to the audience to make dramatic and character points, but speech considered as a sound effect, part of the natural content of the image.
Dave Kehr • When Movies Mattered: Reviews from a Transformative Decade
labored to revive traditional forms of hula, but they also put themselves on display.
Adria L. Imada • Aloha America: Hula Circuits through the U.S. Empire
INVOCATION: Dear readers, help us to deliver ourselves from our enslavement to production values, our ridiculous attachment to slickness which makes filmgoing in most sectors an exclusive subscription to the puerile pastimes and philosophies of stupid, vulgar millionaires.
Jonathan Rosenbaum • Goodbye Cinema, Hello Cinephilia: Film Culture in Transition
Charles Atlas: “I can’t really analyze my own editing, but it’s mostly based on rhythm—rhythm of vision, rhythm of dancing. When I worked with Merce in the early days, we would determine about seventy-five percent of the edits in the dance studio while planning the film. We could test things out.
Later on, when I worked with Michael Clark, I already
... See moreParis is Burning, Jennie Livingston’s
Matthew Collin • Rave On: Global Adventures in Electronic Dance Music
10 Lietuvos fotografijos istorijų. Andrew Miksys
youtube.comDesign criteria: Disregard for conventional views of beauty An aesthetic pleasure that lies beyond conventional beauty Beauty in the smallest most imperceptible details