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An inspiration engine for ideas
diegetically,
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Netflix’s overall challenge is that it can no longer count on contracting for existing good TV and studio films at reasonable prices. When it comes to streaming, both access to material and subscriber scale are important. With more subscribers, one can pay more for material, and the ratio of needed shows to subscribers falls—you don’t need twice as
... See moreRichard Rumelt • The Crux: How Leaders Become Strategists
Erin Meyer • No Rules Rules: Netflix and the Culture of Reinvention
“Unless he’s one whale of an actor, he’s a lot in love with his wife,” the detective said with certainty. “That’s enough to justify taking the story to him.”
Dashiell Hammett • Detective Stories: Dashiell Hammett Collection
network nonredundancy. Put simply, over the show’s life span, did creative teams benefit from an injection of new blood, or were they more likely to thrive when their networks were closed?
Adam Alter • Anatomy of a Breakthrough: How to Get Unstuck When It Matters Most
Ovitz was brains and science; Meyer was heart and culture.
James Andrew Miller • Powerhouse: The Untold Story of Hollywood's Creative Artists Agency
the script shows us what we SEE and HEAR. Now. Live.
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
Et c’est ainsi que, pendant les années qui suivirent et qui menèrent jusqu’au terme de mon cursus universitaire, je croisais à Burrows Harry Quebert, l’écrivain-vedette, et je côtoyais à Aurora Harry-tout-court, l’homme seul.
Joël Dicker • La Vérité sur l'Affaire Harry Quebert (French Edition)
This is 66: 'White Lotus' Executive Producer Mark Kamine Responds to The Oldster Magazine Questionnaire
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