Sublime
An inspiration engine for ideas
In the first half of every script, the question will be asked: ‘What is the worst consequence of this decision?’ and in the second half the answer will come: ‘This is’.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
Hitchcockian protagonist,
Haruki Murakami • 1Q84: Books 1 and 2
posit an idea, explore it, then come to a conclusion that, if the drama is convincing, is proved true.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
The Player (1992)
letterboxd.comIt’s the ‘moment of truth’.
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
L.A. Takedown
en.m.wikipedia.org
Watching: “The Pitt” (Max)
This suggestion probably should come with a medical warning—because I worry you’ll inhale the 15 episodes of “The Pitt” at a pace fast enough to jeopardize your health. The series debuted to a somewhat muted response right after Christmas but has since steadily attracted more and more attention, hurtling toward its season... See more
This suggestion probably should come with a medical warning—because I worry you’ll inhale the 15 episodes of “The Pitt” at a pace fast enough to jeopardize your health. The series debuted to a somewhat muted response right after Christmas but has since steadily attracted more and more attention, hurtling toward its season... See more
Forgot email? • Search Results - scottsigal@gmail.com - Gmail
“The Thomas Crown Affair,”
Haruki Murakami • 1Q84: Books 1 and 2
Leo Bianchi had fucked with him. This was no job. This was an insult. Payback for Albert’s disrespect. Of course, Albert wouldn’t play along, so he sent Roy into the house. Roy was the only choice. Bob and Danny would forever question him if they saw what the job was. Harvey, if he were to find out, would certainly never let Albert forget it.