Sublime
An inspiration engine for ideas
it begins by showing us the result of the dramatic turn that came at the end of Act One.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
Samm Levine: Scott Sassa called me himself and said, “I loved the show. But at the end of the day, it’s a business.” I’ve been on a lot of canceled shows since then and I’ve never heard from the network president.
Judd Apatow • Sick in the Head: Conversations About Life and Comedy
11 laws of showrunning
The Eleven Laws of Showrunning by Javier Grillo-Marxuach provide advice and insights for effectively managing a television show, from fostering a creative environment to delegating responsibility and sharing credit.
okbjgm.weebly.comSo we both recognised what a huge turning point this was. With Channel 4 being the original commissioner, they had to be involved because they took the financial risk in making the show. Which was perfect for us, because then it meant we’d keep Channel 4, our Black Mirror DNA. We thought Channel 4 would be delighted because we thought we’d delivere
... See moreCharlie Brooker • Inside Black Mirror
Al Harrington
@alharrington
Dan Schilling
@dpschill