Sublime

She was tempted to flip them down and see if they could face-rec this Larry and if so find out who his editor was—or more likely what edit stream he subscribed to and what particular flavor of post-reality it was pumping into his mind.

no more need to have them enforce our contracts.

Gleick’s Chaos and Kevin Kelly’s Out of Control.

On top, she added her own distinctive techno-futurist gloss—Tofflerism with a stock-picker’s sensibility. It cost over $600 a year to subscribe to Release 1.0, and 1,500 of the tech industry’s most powerful read its every elliptical word.

Metafiction, in its ascendant and most important phases, was really nothing more than a single-order expansion of its own great theoretical nemesis, Realism: if Realism called it like it saw it, Metafiction simply called it as it saw itself seeing itself see it. This high-cultural postmodern genre, in other words, was deeply informed by the

He