Sublime

ideas argue that racist policies are the cause

how Blackness is selectively celebrated (and contained) within the white imagination.

The advocates and defenders of the black jazz avant-garde and the emergent black cultural nationalists had to distance themselves from what they took to be the threat to their project of black freedom—bebop as jazz authenticity, and cultural assimilation as the solution to black cultural subordination.

Being a Black American requires double consciousness, in the words of W. E. B. Du Bois, the habit of seeing from inside the logic of race and the lives of the racialized, and from the external superego of what it means to be American, with all its archetypes and interests.

of racial inequities.