Sublime

barouche.

To his taste, guided by a single conversation, here was the point on which Miss Brooke would be found wanting, notwithstanding her undeniable beauty. She did not look at things from the proper feminine angle. The society of such women was about as relaxing as going from your work to teach the second form, instead of reclining in a paradise with

turbid

Henry Tilney stands out among Austen heroes in several respects. He alone is present throughout the story in the capacity of a romantic interest for the heroine. He alone serves throughout as a powerful and accepted guide for the heroine. Finally, he alone exhibits strongly the qualities of wit and humor that are always such a prominent feature of

e a congeminar expulsá-la de lá, juntamente com as filhas, mal o senhor Bennet morresse. Queixou-se amargamente de tudo isto ao marido. «Sinceramente, senhor Bennet», disse ela, «é muito duro pensar que a Charlotte Lucas herdará esta casa, que eu terei de ceder-lhe o meu lugar e vê-la viver aqui!» «Minha cara, não se deixe tomar por ideias tão

are something more—something higher.

Cecilia (1782) and Camilla (1796) are by Frances (or Fanny) Burney; Belinda (1801) is by Maria Edgeworth. Burney, the most acclaimed novelist of the late eighteenth century, was, along with Samuel Richardson, the most important influence on Jane Austen’s work. Burney’s novels consistently focus on the tribulations—romantic and otherwise—of a young