Sublime
An inspiration engine for ideas
Cyndi Lauper—my childhood hero (eight-year-old me was beside herself)—invited The Dresden Dolls to open for her on a summer package tour called True Colors,
Amanda Palmer • The Art of Asking: How I learned to stop worrying and let people help
We are now entering the Hannah Montana Generation of pop stars: young artists who are not just evoking the frilly and bold aesthetic and unapologetically sugary sweet music of the show but also the type of larger-than-life persona Montana had in comparison to “real-life” Stewart. Carpenter is the prime example of leaning into the Hannah Montana-ifi... See more
Welcome to the Hannah Montana Generation of Pop Music
The Evolution of Steve Albini: ‘If the Dumbest Person Is on Your Side, You’re on the Wrong Side’
theguardian.comtheguardian.com
I admire how Dunham’s character, Hannah Horvath, doesn’t have the typical body we normally see on television. There is some solidity to her. We see her eat, enthusiastically. We see her fuck. We see her endure the petty humiliations so many young women have to endure. We see the life of one kind of real girl and that is important. It’s awesome that... See more
Maria Popova • Bad Feminist: Roxane Gay on the Complexities and Blind Spots of the Equality Movement
Odenkirk, who appeared in many of the 11-minute Tom Goes to the Mayor episodes that aired on Adult Swim, puts Heidecker in the same category as his Mr. Showcollaborator David Cross, someone with “a certain kind of natural ease at being funny, that I do not think I have, and most people don’t have.” The even rarer thing that Odenkirk sees in Heideck... See more
Tim’s Time
On her frame, angular but soft, a baggy T-shirt is coded as “low-maintenance,” not “sloppy”; a ponytail is “sleek,” not “tennis ball on top of a mini-fridge.” Not only can she pull off ugly clothes, like sports sandals, or “boyfriend jeans,” they somehow make her beauty thrum even more clearly.
Lindy West • Shrill: Notes from a Loud Woman
At the time, Heidecker wasn’t influenced by comedy at all (he didn’t watch SNL or pay attention to traditional stand-up), but by the “weird awkwardness” of artists like David Byrne and the Talking Heads. “In that first video we did, Eric was editing it, and there was a jump cut where he had taped over this girl ice-skating. So it jumped and went to... See more
Tim’s Time
