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Music Criticism

Music

In rhythm and blues, the soloists were generally more “selfish”, concerned to express their own feelings, depending on the rest of the band to keep the beat going and the volume up while they blew their hearts out and their heads off. In jazz, there was usually more interplay between musicians, more exploration into melody and harmony, less relianc

Charlie Gillett • The Sound of the City: The Rise of Rock & Roll

‘Dizzy Atmosphere’,

Kenny Mathieson • Giant Steps: Bebop and the Creators of Modern Jazz, 1945-65

Mr. Day is as much a fixture among local audiophiles as his store is. One half expects the owner to resemble Jack Black's character in "High Fidelity," kicking out customers for daring to buy records they aren't deemed worthy of. But Mr. Day is as affable as one could hope for in a place with such a collection, treating customers to anecdotes and h... See more

About : Cheapo Records, your home for vinyl in Central Square since 1954 - (617) 354-4455

Less Noise, More Soul: The Search for Balance in the Art, Technology and Commerce of Music (LIVRE SUR LA MU)

David Flitner

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Cover of Less Noise, More Soul: The Search for Balance in the Art, Technology and Commerce of Music (LIVRE SUR LA MU)

Gunther Schuller,

Ted Gioia • How to Listen to Jazz

paper’s art critic John Russell. A broadly educated man, he wears his erudition lightly. I never think of him as a scholar assaulting me with how much he knows, but as a teacher eager to share a lifelong passion for his subject.

William Zinsser • Writing to Learn: How to Write - and Think - Clearly About Any Subject at All

Kabvina succeeded by aggressively catering to the feed, subordinating his own taste—his creative expression—to the limits of algorithmic promotion.