Sublime

In Britain, TV producer Jack Good decked him out in black leather like an extra from Marlon Brando’s The Wild One and created the basis for a cult legend; but the reality was more mundane – the usual tale of too much drink and lost money.

prompting stunt coordinator Conrad Palmisano to come up with an eyebrow-raising solution. “A bunch of Black guys are attacking him in the scene, so I got a bunch of his Asian stunt team painted black,” remembers Palmisano, an event that surely would not be permitted today.

I was friends with Debra Larsen and Bruce Bockmann (who was Morgan’s most playful partner, choosing once, when I was a young associate, to introduce us to a new client with our roles reversed)