Sublime
An inspiration engine for ideas
The antagonist
John Yorke • Into The Woods: How Stories Work and Why We Tell Them
it wasn’t enough for managers to have good ideas—they had to be able to engender support for those ideas among the people who’d be charged with employing them.
Amy Wallace • Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration
Drehbuch auf Knopfdruck - epd medien
Drehbuch auf Knopfdruck - epd medien
McIntosh is not against power, just in favour of some redistribution of it along different lines.
Douglas Murray • The Madness of Crowds
Glengarry Glen Ross
Thus, with each passing day, each slipping hour, he grows in confidence. Sure of his concealment, it’s just a waiting game. He’s basically won already.
Anthony McCarten • Going Zero: A Novel
shaping a story from the exclusive Point of View of the protagonist is a creative discipline.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
I often say that managers of creative enterprises must hold lightly to goals and firmly to intentions.