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An audience may, if so moved, empathize with every character in your film, but it must empathize with your protagonist.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
An event pitches the protagonist’s life out of kilter, arousing a conscious desire for something he feels will set things right, and he goes after it.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Our most powerful means of self-expression is the
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Creative Spark: Mike White
youtube.comDialogue, dramatized and narratized, performs three essential functions: exposition, characterization, action.
Robert McKee • Dialogue: The Art of Verbal Action for Page, Stage, and Screen
a great script focuses on a protagonist that drives the story with their active decisions,
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
The three-act design is the minimum.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
