Sublime

In a world of perpetual data overload, [curation] implies information design and selectivity: the channeling, filtering, and organization into intelligible and usable information; the digging up of new or long ignored cultural corpora. Most of these corpora are simply sitting in storage: less than 1% of the Smithsonian Institution’s permanent... See more

The dominant regime of political economy in the West since 1971, and particularly acute since 2009, has been built on a set of related economic fallacies: There are no adverse consequences to manipulating the price and supply of money; economic well-being can be measured by increases in flows of revenue rather than the growth rate of profit over

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Thus state intervention came to be discredited by a value proposition that was no longer aligned with individual aspirations. The laissez-faire approach was never attractive: it deprived the poor and even the middle class of access to affordable essential services. But the interventionist counter-offer ended up looking not that attractive, either:

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In its chaotic, open, and intensely creative origins, the internet offered individual empowerment and access, cross-pollination, almost limitless connection among and between Citizens everywhere. As a many-to-many medium, it asks more of us than television or radio or the printing press, equipping us to be active in the world, capable of

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Whereas the modern university segregated scholarship from curation, demoting the latter to a secondary, supportive role, and sending curators into exile within museums, archives, and libraries, the Digital Humanities revolution promotes a fundamental reshaping of the research and teaching landscape. It recasts the scholar as curator and the curator... See more