Sublime
An inspiration engine for ideas
maintains avant-garde pretensions despite being entirely milquetoast.
Sean Monahan • INTERNET COOL
process of cultural meaning—and decision-making,” he wrote. Pajkovic set out to test Netflix’s impact on personal taste, and to do so designed a set of fake accounts with different archetypal personalities.
Kyle Chayka • Filterworld

the functional disparity between that bygone era and the one we now inhabit is vast and quirky—I
Chuck Klosterman • But What If We're Wrong?: Thinking About the Present As If It Were the Past
Everything is multi-platform and multimedia. Not just journalist-personalities, but every magazine issue, every feature package, every article. The article is just the intellectual property made to be leveraged in as many spaces as possible. The presentation has to be optimized in every venue: You need good Instagram pinned posts, whether you’re a ... See more
David Cho • 🟧 the New Rules of Media
It’s among the few remnants of the pre-Internet monoculture;
Chuck Klosterman • But What If We're Wrong?: Thinking About the Present As If It Were the Past
Algorithmic taste, in Peter’s case as a consumer, was both boring and alienating. On the creator side, by contrast, ubiquity can be profitable.
Kyle Chayka • Filterworld
I Am Going to Miss Pitchfork, but That’s Only Half the Problem
https://www.nytimes.com/by/ezra-kleinnytimes.com