Sublime

the story theorist and celebrated commissioner of screen drama John Yorke has written that ‘the image every TV director in fact or fiction always looks for is the close-up of the human face as it registers change.’

The sequence is: subjective – objective – subjective to the power of two.

Berry reckons that, ‘the act of filming creates or perhaps releases the “psyche” of the subject. The scene is no longer simply nature, but art …we are magnetized by it’

Along with his partner and co-author Chantal Mouffe, he provided one of the earliest foundations for what would become identity politics. In their 1985 work Hegemony and Socialist Strategy

The choices they make will illustrate their character.

recent TV detectives embodying cultural shifts to digital media ("the hero for electrate culture" 2009, 915) often conceal an old-fashioned defense of