Sublime

the Kuleshov Effect.

The West Wing. For a particularly good example try ‘In the Shadow of Two Gunmen’, Part Two, Act One.

set-up, confrontation and resolution.

Shut Up and Dance marked the Black Mirror co-writing debut of William Bridges, a relative newcomer to TV. William Bridges (co-writer): I credit Charlie and Annabel for very much giving me my break in the industry. I hadn’t met them before, and had virtually no credits to my name, but I’d written a spec script for a TV show that had just been sold t

Atwater, trained originally as a background man for news dailies, constructed his own WITW pieces by pouring into his notebooks and word processor an enormous waterfall of prose which was then filtered more and more closely down to 400 words of commercial sediment.