Sublime
An inspiration engine for ideas
up posts and figuring out the latest twists of the algorithm—which hashtags, memes, or formats need to be followed.
Kyle Chayka • Filterworld
For him, the 1990s opened onto a hyper-industrial era, not a post-industrial one, in which a logic of mass production was suddenly aligned with techniques that, in unprecedented ways, combine fabrication, distribution, and subjectivation on a planetary scale.
Jonathan Crary • 24/7: Late Capitalism and the Ends of Sleep
In spite of the omnipresent proclamations of the compatibility, even harmonization, between human time and the temporalities of networked systems, the lived realities of this relationship are disjunctions, fractures, and continual disequilibrium.
Jonathan Crary • 24/7: Late Capitalism and the Ends of Sleep

The forms of control accompanying the rise of neoliberalism in the 1990s were more invasive in their subjective effects and in their devastation of shared and collectively supported relations.
Jonathan Crary • 24/7: Late Capitalism and the Ends of Sleep
It is attained not by the making of similar individuals, as theories of mass society used to assert, but through the reduction or elimination of differences, by narrowing the range of behaviors that can function effectively or successfully in most contemporary institutional contexts.
Jonathan Crary • 24/7: Late Capitalism and the Ends of Sleep
none who protested the production of these men as twenty-first century sex deviants, or the almost extralegal management of their behavior by a local news station.9
Shaka McGlotten • Virtual Intimacies: Media, Affect, and Queer Sociality
The outcome of such algorithmic gatekeeping is the pervasive flattening that has been happening across culture. By flatness I mean homogenization but also a reduction into simplicity: the least ambiguous, least disruptive, and perhaps least meaningful pieces of culture are promoted the most. Flatness is the lowest common denominator, an averageness
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