Sublime

Being a Black American requires double consciousness, in the words of W. E. B. Du Bois, the habit of seeing from inside the logic of race and the lives of the racialized, and from the external superego of what it means to be American, with all its archetypes and interests.

creator of the Smithsonian Museum’s “Programs in Black Culture,” and one of the leading authorities on Black American music culture,

They lose attention because many of their teachers have lost attention, shed it in the heat of a formation that narrowed intellectual excellence down to one kind of performance, one kind of white body-mind.

The racializing serves the core mandate of race: to create hierarchies of value.

The rage of the disesteemed is personally fruitless, but it is also absolutely inevitable; this rage, so generally discounted, so little understood even among the people whose daily bread it is, is one of the things that makes history. Rage can only with difficulty, and never entirely, be brought under the domination of the intelligence and is ther

People who shut their eyes to reality simply invite their own destruction, and anyone who insists on remaining in a state of innocence long after that innocence is dead turns himself into a monster. The time has come to realize that the interracial drama acted out on the American continent has not only created a new black man, it has created a new

typically position White people as the superior standard. “Do Americans ever stop to reflect that there are in this land a million men of Negro blood…who, judged by any standard, have reached the full measure of the best type of modern European culture? Is it fair, is it decent, is it Christian…to belittle such aspiration?” Du Bois asked in 1903.

“What are the benefits to living in a Black-majority city?” and, “Why do so many of us choose to stay in them?”