Sublime
An inspiration engine for ideas
He took the saxophone and he did fundamentally non-Western things with it the way the harmonica players used to jackknife keys to get those 12 tones and flat that third, like that. His use of field hollers in his sound really connotes a thorough and passionate understanding of tradition.
Leonard Brown • John Coltrane and Black America's Quest for Freedom: Spirituality and the Music
Mishak was not musical. Silence was his metier; he navigated through the day by gentle sounds: a thrush outside the window, the fall of rain, the whirr of a lawn-mower. Now, as Heini pounded his piano, he was cut off from all these.
Eva Ibbotson • The Morning Gift
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Com meus irmãos @1michaelduarte @dansouzadrum @felipe_amorimsax @doug.diferreira
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E com o KORG OPSIX a emoção de se improvisar é ainda maior com mais de 100 opções para transformar o timbre no que você desejar. Par... See more
murilorteixeirainstagram.comthe Noh drum.41 I don’t
Natsume Soseki • Sanshiro (Penguin Classics)
Komusō (虚無僧), meaning ‘priests of nothingness’ or ‘monks of emptiness,’ were wandering lay Buddhists of the samurai and rōnin class. Recognizable by their distinctive straw basket hats, which symbolized the erasure of ego, they practiced suizen (吹禅), or ‘blowing meditation,’ by playing the shakuhachi bamboo flute.
Durin... See more
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