I wonder if there are two angles to use crypto in “financing” for creators and communities. One is the traditional financing angle: people need money to create things. The second is that it’s actually all about distribution. Creators or communities often don’t need the money. For example, how much does it cost for Charli D’Amelio, the most popular... See more
Websites are cultural artifacts. Like buildings, websites foster social discourses. They do so by establishing new ways of interaction or by asking new aesthetic questions.
The challenge before us is to figure out the ground rules of privacy in Web 3, where the ‘contextual privacy’ that has shaped both user expectations and government regulation in Web 2 no longer hold at all; in fact, they’re utterly fipped.
Avoid content made after 2016 - Something happened in 2016. The internet became less weird, less creative. Whatever the cause, pre-2016 content has a distinct flavour of strangeness that has vanished. My favourite hack for this: Find a book or essay you love. Open up ChatGPT deep research. Ask for 50 similar books or essays, all created before... See more
-Cashflows and incentive structures: If early subscribers benefit from the future growth of the media business, where does that money come from? The answer is that it comes from your future cashflow, either in the form of extended subscriptions for the early adopter (as in the example above) or via access being sold on secondary markets (if that... See more
Design for emergence is open-ended. There’s no room for surprise in high modern or user-centered design, unless the design is exapted for an unintended use (see “Design Exaptation” in the bottom right quadrant of the 2x2 above). Meanwhile, a key characteristic of design for emergence is that the end design may be something that the original... See more