The only way to get a project like this to work on that time frame is to be comfortable giving up creative control. Understandably, creative and editing choices by far take up the most time in AI video creation.
I think this is much more subtle, where you actually really start to work with creators who are stuck in this, kind of, halfway state where they have these enormous audiences, but they don’t know how to monetize because they don’t have the right tool.
Which partly explains why Netflix CEO Reed Hastings has been widely quoted as saying that he’s more concerned with the competitive risk of massively networked, interactive experiences like Epic Games’s Fortnite than Hulu or HBO Max or any other traditional broadcaster.
While we agree that native tokens inside a project’s treasury may be financial resources, counting them as assets on their balance sheet does much more harm than good and is often used as an excuse for poor treasury management.
When Substack launched their reader web app last year, I thought it was interesting but faced an uphill battle. It’s really hard in today’s age of addiction to get people to habitually come to a new URL. That’s why blogs died and became reincarnated as newsletters.
Key infrastructure didn’t exist yet. We take it for granted today, but there was no such thing as 3PL fulfillment, same-day shipping, supply-chain automation, etc. back in the dot-com boom.