Sarah Drinkwater
@sarahdrinkwater
Knowledge beachcomber interested in the ownership economy, flourishing communities, ecosystem building, magic, and knowledge as an end to itself.
Sarah Drinkwater
Whether this is a good thing is up for debate—we should, of course, still fix things like income inequality and climate change. (And we need policy changes to complement private sector solutions.) But consumer technologies will always adapt to changes in the people they’re being built to serve—and with the Gen Z and Millennial generations radically... See more
Rex Woodbury • Welcome to the Internet: Millennial & Gen Z Ennui
One of my favourite living documents on the internet - a living slide deck I check every few months that never ceases to be full of surprising and weird connections
I loved this concept of evaluating your own potential cause of death as a venture firm. Over the last few years the number of venture firms has grown from ~900 to nearly 2,000 different firms managing $500B+ of capital. In a market correction some people predict as many as 50% of those firms could fail. One prediction I have is that as venture... See more
Kyle Harrison • The Death of a Venture Fund
late stage capitalism and shifting culture
In America, our culture has become anticipation.
At some point, there was a switch, in which we became an edging culture. One rooted in “pre-”.
With AI, I suspect we’ll be able to play with the compression of anticipation with software objects well. Teasing an idea on Twitter, seeing it’s response, putting that prompt in AI to generate just enough code for the resemblance of the thing → and that reaching consumer hands much faster.
Perhaps anticipation culture is the wedded partner of instant-gratification culture. It’s the only thing that allows us to microdose the gratification of the object before we actually have it. Constantly watching trailers, or runway shows, sneak peaks, etc
I find this all lines up incredibly well to VC culture. The discussion is 90% weighted on the raise
The anticipation is lost as its material reality fails to hold any long term attention. Even if it was the exact promise. We simply love the build up. The image of the thing.
The “pre-”, other than consuming behind the scenes content of an artist’s process, is all mental. As I participate as a dancer in the audience, I can only (if I care to) construct fiction of the worked anticipation of the overall performance. But 90%+ of the audience only cares about the anticipation of the next drop or track. The loop is built in.
To bring it all the way back to the tweet that launched this post. Anticipation is exhausting. It is built around uncertainty, and the quelling of said uncertainty by the fragments of the objects chosen to be presented.
