Salman Ansari
@salmanscribbles
embracing my inner polymath — writing, drawing, coding, playing
Salman Ansari
salman.io
From here, my recommendations go niche, and I want to make a case for why.
For any writer, but especially a writer of fiction, this is an arbitrage play. You don’t want to be reading the books that everybody else is reading. Possibly you don’t want to be reading the books that ANYbody else is reading. This is totally achievable; there are plenty... See more
For any writer, but especially a writer of fiction, this is an arbitrage play. You don’t want to be reading the books that everybody else is reading. Possibly you don’t want to be reading the books that ANYbody else is reading. This is totally achievable; there are plenty... See more
As John Lasseter likes to say, ‘our films don’t get finished, they just get released.’” – Pete Docter, Pixar (source)
TWN Issue 15: Embracing a "Fractal Bud" in Knowledge
Reminds me of how I knew when my stories are done: There are always still problems, but you reach a point where fixing them will only create new ones.
Meanwhile, some of the most serious people I know do their serious thing gratis and make their loot somewhere else. My dad, whose photographs sit at the top of every Experimental History post, quit his job at the newspaper and went to work as a postal carrier instead. Why? As he puts it: “I could afford better lenses delivering mail than I could ta... See more
Adam Mastroianni • Surely You Can Be Serious
While I do enjoy my work in startups, I sometimes think of it as “fundraising” for the creative work I do. The world doesn’t usually fund the things it needs most (art). So sometimes you have to find a way to fund it yourself.
Writer and illustrator A. Kendra Greene on becoming an artist by listening – The Creative Independent
A. Kendra Greenethecreativeindependent.com
A poet asked me to illustrate a book, and I realized I don’t think I’m an illustrator—I think I’m a bookmaker.
I can relate. Since illustrating my own book, I’ve spent a lot more time drawing, and this has brought up opportunities to illustrate other peoples’ books. But it just didn’t feel right. I want to tell stories, and often they come to me in words as well as drawings, and I like to show both. I think that makes me more of a multimedia storyteller, than what we might think of as an illustrator.
On being dedicated to art as a daily practice
thecreativeindependent.comI relate to this energy of audience, I used to get it from teaching, and now in a remote world I feel the deep lack of such energy infusion in my life. The days feel more empty and dull, more of a drag.
The reward of that one hour on stage is the highest potency nutrients that you could possibly imagine when it’s good, so you keep going back out because you want to get that. It’s not about adulation. It’s really not. It’s the exchange between yourself and the audience. So, I don’t know how to manage those things, those needs with the practicalities, the desire not to take more than I give. It’s tricky.
What you learn about the world through fairy tales is to accept things that may not make obvious sense. Trust that there is order behind them, and by doing so slow down the entropy of life.
Shane Parrish • The Great Mental Models Volume 2: Physics, Chemistry and Biology
The Case for Not Sanitizing Fairy Tales
plough.com
“The fairy tale acknowledges that parents do not always love and care for their children as they ought, that loved ones die and leave us alone and grieving, that evil is real and often powerful, and that violence and sin are present in our world. All these truths make grownups uncomfortable; we are eager to smooth over a child’s fears with comforting falsehoods.”