Kirsten
@rootyarn
Following threads of not knowing and seeing what structures they form. Delighting in the pulse of life and the moment. Trusting in living systems, the cosmos and the trip that is life.
Kirsten
rootyarn.com
people don’t buy products when they understand them. they buy products when they feel understood.
This region of the dynamic spectrum, where outdated order dissolves into a creative and responsive chaos from which novel order can emerge, is often referred to as “the edge of chaos.” Stuart Kaufman suggested: “The best place for a system to be, in order to respond appropriately to a constantly changing world, is at the edge of chaos.” He explains
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There is a lot in here
https://www.reddit.com/r/learnprogramming/comments/61oly8/new_read_me_first/
The end of the world used to be quite seductive to her,
until she considered that the obsession with the apocalypse is actually a longing that those who are dissatisfied with the world have for something different.
until she considered that the obsession with the apocalypse is actually a longing that those who are dissatisfied with the world have for something different.
Allegra Preuss • The Water in the Wood
Under this definition, spirituality is a secular concept, and the idea that spirituality and science are diametrically opposed to each other is incorrect—they’re two halves of the same quest. As usual, Carl Sagan says it best:
Tim Urban • How Religion Got in the Way — Wait But Why
Tijn Tjoelker on LinkedIn: #bioregioning #bioregionalism #bioregions #regeneration #nature | 105 comments
Tijn Tjoelkerlinkedin.com
Resources and courses on bioregional design
Hmm this really makes me think of how artists bring so much more to the art which an algorithm cannot anticipate. Artists with their feeling bodies are tapped into the pulse of time and societal shifts and their own human experience. Art often therfore alerts to collective or social phenomena and are therefor not just pretty pictures or entertainment. Like the last paragraph of this article in that regard. Creativity and art are there to push back against all of this. Getting back to creating outside the algorithm seems related to being human outside the algorithm which is linked to so many things. Thin extension to media and things Douglas Rushkoff talks about. Narratives shape.