MK
@mkay
MK
@mkay

For one, social-media operators discovered that the more emotionally charged the content, the better it spread across its users’ networks.
This was what personal style was to me in 2008: a cipher for something much broader, a glimpse into the lives of others.
Inexpensive and user-friendly digital tools for manipulating text, images and sounds — think Photoshop or GarageBand — have dramatically broadened access to the means of cultural production and blurred the lines between amateurs and professionals. But the question is not just how many people engage in cultural production — it’s how people engage.
... See moreThis is also why journalists became so dependent on Twitter: It’s a constant stream of sources, events, and reactions—a reporting automat, not to mention an outbound vector for media tastemakers to make tastes.