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@mkay
MK
The inherent contextlessness of platforms like Twitter also works in the opposite direction, though: It’s easy to use the language of social justice to justify anything we want, and by doing so, weakens real, meaningful activism.
Vox • Every "chronically online" conversation is the same
On the old internet, you could show a different side of yourself in every forum or chat room; but on your Facebook feed, you had to be the same person to everyone you knew.
Noah Smith • The Internet Wants to Be Fragmented
good taste and curation are even more important in a world where artificial intelligence and technology lower the barrier of entry for the creative arts.
Atri🌿twitter.comwhy curation... and
For most, the pleasures of digital cultural consumption are uncoupled from the exertions of curatorship. Today’s digital consumers are no longer being fed a limited diet of standardized cultural products, but they are still being fed. Consumption may be personalized, but it would be a stretch, in most cases, to call it self-directed — and it is
... See moreRogers Brubaker • Hyperconnected Culture and Its Discontents
TikTok enables and invites the pointed, witty, playful, allusive, zany and endlessly inventive combination of video, music and text. But the creative energies of its more than one billion users are circumscribed and channeled by the architecture of the platform.
TikTok’s spectacular success in enlisting consumers as producers depends on making
... See moreRogers Brubaker • Hyperconnected Culture and Its Discontents
Yet, the final component of the streaming ecosystem — artists and their teams — are still pretty much where they were in 2010 regarding algorithmic optimization. Today, most algorithmic strategies follow a kind of "throw spaghetti at a wall and see what sticks" approach: make sure that the metadata you provide to DSPs is as complete and accurate as... See more
Music Tomorrow • Towards Recommender System Optimization: Our Data Tool for Algorithmic Optimization on Spotify [Part 1]
