MK
@mkay
MK
For one, social-media operators discovered that the more emotionally charged the content, the better it spread across its users’ networks.
Ian Bogost • The Age of Social Media Is Ending
Truly democratizing cultural creativity, one might argue, would promote the development of skills and capacities rather than minimize the need for them.
Rogers Brubaker • Hyperconnected Culture and Its Discontents
Yet, the final component of the streaming ecosystem — artists and their teams — are still pretty much where they were in 2010 regarding algorithmic optimization. Today, most algorithmic strategies follow a kind of "throw spaghetti at a wall and see what sticks" approach: make sure that the metadata you provide to DSPs is as complete and accurate as... See more
Music Tomorrow • Towards Recommender System Optimization: Our Data Tool for Algorithmic Optimization on Spotify [Part 1]
This was what personal style was to me in 2008: a cipher for something much broader, a glimpse into the lives of others.
Dirt • Dirt | Substack
Part of the reason social media has felt even more “flattening” to one’s identity
Is because social media has shown its benefit towards economic mobility
You can’t sell 50 things. You gotta sell 1, really well. And when that “widget” is the self -> you gotta package it neatly
Reggie Jamestwitter.comIn a way, recommender systems have become some of the most important opinion leaders in the industry. The same way a recommendation from a trusted friend can go a long way — compared to, let's say, an ad you see on Instagram — a recommendation from a "trusted" algorithm brings about a sort of post-social proof.
Music Tomorrow • Towards Recommender System Optimization: Our Data Tool for Algorithmic Optimization on Spotify [Part 1]
A social network is an idle, inactive system—a Rolodex of contacts, a notebook of sales targets, a yearbook of possible soul mates. But social media is active—hyperactive, really—spewing material across those networks instead of leaving them alone until needed.