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MK
This is also why journalists became so dependent on Twitter: It’s a constant stream of sources, events, and reactions—a reporting automat, not to mention an outbound vector for media tastemakers to make tastes.
Ian Bogost • The Age of Social Media Is Ending
... people just aren’t meant to talk to one another this mu ch . They shouldn’t have that much to say, they shouldn’t expect to receive such a large audience for that expression, and they shouldn’t suppose a right to comment or rejoinder for every thought or notion either.
Ian Bogost • The Age of Social Media Is Ending
Flattening and taste
Character is gone, because eccentricity is harder to duplicate and sell in bulk.
Dirt • Dirt | Substack
Spotify, for example, has invested heavily in its own curation services — both algorithmic and human — after finding that many of its listeners were baffled by superabundance, burdened by excessive choice and uninterested in charting their own paths through the digital wilderness.
Rogers Brubaker • Hyperconnected Culture and Its Discontents
Inexpensive and user-friendly digital tools for manipulating text, images and sounds — think Photoshop or GarageBand — have dramatically broadened access to the means of cultural production and blurred the lines between amateurs and professionals. But the question is not just how many people engage in cultural production — it’s how people engage.
... See moreRogers Brubaker • Hyperconnected Culture and Its Discontents
This was what personal style was to me in 2008: a cipher for something much broader, a glimpse into the lives of others.
Dirt • Dirt | Substack
In a way, recommender systems have become some of the most important opinion leaders in the industry. The same way a recommendation from a trusted friend can go a long way — compared to, let's say, an ad you see on Instagram — a recommendation from a "trusted" algorithm brings about a sort of post-social proof.