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This is also why journalists became so dependent on Twitter: It’s a constant stream of sources, events, and reactions—a reporting automat, not to mention an outbound vector for media tastemakers to make tastes.
Ian Bogost • The Age of Social Media Is Ending
The flip side of that coin also shines. On social media, everyone believes that anyone to whom they have access owes them an audience...
Ian Bogost • The Age of Social Media Is Ending
2020 was the first year when streaming services overtook "family and friends" as the primary channel for music discovery, with over 62% of music listeners in the US naming DSPs among their top discovery sources.
Music Tomorrow • Towards Recommender System Optimization: Our Data Tool for Algorithmic Optimization on Spotify [Part 1]
What all of these arguments have in common is that very few people engage in them in real life. Sure, you might be privately annoyed at your friend who’s always talking about how great their life is when they drone on about their perfect mornings, and you might rightfully point out when an author has an unsavory past, but it’s unlikely that the
... See moreVox • Every "chronically online" conversation is the same
For one, social-media operators discovered that the more emotionally charged the content, the better it spread across its users’ networks.
Ian Bogost • The Age of Social Media Is Ending
Social media showed that everyone has the potential to reach a massive audience at low cost and high gain—and that potential gave many people the impression that they deserve such an audience.
Ian Bogost • The Age of Social Media Is Ending
Cultural production is ever more finely attuned to attention, which is ever more pervasively measured and monetized. Commerce and culture are locked in an ever-tighter embrace.
Rogers Brubaker • Hyperconnected Culture and Its Discontents
tiny internets: sidewalks, geocaching, and more · tiny internets
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