MK
@mkay
MK
Yet, the final component of the streaming ecosystem — artists and their teams — are still pretty much where they were in 2010 regarding algorithmic optimization. Today, most algorithmic strategies follow a kind of "throw spaghetti at a wall and see what sticks" approach: make sure that the metadata you provide to DSPs is as complete and accurate as... See more
Music Tomorrow • Towards Recommender System Optimization: Our Data Tool for Algorithmic Optimization on Spotify [Part 1]
Compulsion had always plagued computer-facilitated social networking—it was the original sin. Rounding up friends or business contacts into a pen in your online profile for possible future use was never a healthy way to understand social relationships. It was just as common to obsess over having 500-plus connections on LinkedIn in 2003 as it is to
... See moreIan Bogost • The Age of Social Media Is Ending
Instead of being fed from above a limited diet of standardized cultural products, everyone — not just a minority of highly educated omnivores — can now craft a varied and customized cultural diet from the digital cornucopia. People create these customized diets by sharing the work of “curation” in differentiated niche taste communities. This
... See moreRogers Brubaker • Hyperconnected Culture and Its Discontents
Truly democratizing cultural creativity, one might argue, would promote the development of skills and capacities rather than minimize the need for them.
Rogers Brubaker • Hyperconnected Culture and Its Discontents
Spotify, for example, has invested heavily in its own curation services — both algorithmic and human — after finding that many of its listeners were baffled by superabundance, burdened by excessive choice and uninterested in charting their own paths through the digital wilderness.
Rogers Brubaker • Hyperconnected Culture and Its Discontents
The flip side of that coin also shines. On social media, everyone believes that anyone to whom they have access owes them an audience...