Michael Brooks

A work of fiction is, in a sense, always “wrong.” It is a complicated organism. It is not, ever, an accurate or correct or true or 100 percent “defensible” representation of reality. It’s always somebody’s take on reality, full of inadvertent falseness (full of, that is, inadequate attempts to be truthful.)

Creativity: “I can’t get new ideas staring at a blank page. Creativity, for me, requires motion. When you go on a walk, you can turn your world into an idea-generating sensorium, and ideas will spring up from the most unlikely sources. There is one thing that’s absolutely certain about creativity: It’s an active process, not a passive one. The best... See more

Connecting into why it’s valuable. Sometimes you get so lost in a project that you forget why you started it in the first place, or why doing this kind of work is important to you at all. If you reconnect to that, you’ll raise the perceived value of doing the work in your brain—and it will make it easier to stick with. Try writing about why the... See more

I heard on a Peloton ride (Jess King): It isn’t that no matter what you do that I will love you. I will love you no matter how I FEEL. And that is the hard, important work.

If the proximate purpose of technology is to reduce scarcity, the ultimate purpose of technology is to eliminate mortality.

Remember The New Yorker . You subscribed because you liked it. Then it taunted you with its endless words, pages and pages demanding to be read. It reminded you of all the time you didn’t have to spend reading The New Yorker . Whenever you glimpsed the growing pile, you felt mild panic. Every time you recycled an unread issue, you felt like a... See more