Michael Brooks

I think of writing a lot like walking. It’s rarely the most popular, the most effective, or the most efficient way of getting to your destination. I don’t always want to do it, and it’s not always technically enjoyable; sometimes it’s boring or slow, sometimes it’s tiring and pointless, sometimes it’s cold or wet or windy and I’m retracing the same... See more

If I look at things that have turned out well in my life (my marriage, some of my essays, my current career) the “design process” has been the same in each case. It has been what Christopher Alexander called an unfolding .1 Put simply:

• I paid attention to things I liked to do, and found ways to do more of that. I made it easy for interesting people

... See more

"It’s so strange how we’re able to carry forward this mystery of personal identity even when our present selves are so different from our future selves and from our past selves most of all. I think a lot about this question of, what is a person? Am I the same person as my childhood self? Sure, we share the same body, but even that body is so... See more

A work of fiction is, in a sense, always “wrong.” It is a complicated organism. It is not, ever, an accurate or correct or true or 100 percent “defensible” representation of reality. It’s always somebody’s take on reality, full of inadvertent falseness (full of, that is, inadequate attempts to be truthful.)

I heard on a Peloton ride (Jess King): It isn’t that no matter what you do that I will love you. I will love you no matter how I FEEL. And that is the hard, important work.