Lolita

L

Lolita

@lolita

No Child Left Behind

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Joscha Bach: Nature of Reality, Dreams, and Consciousness | Lex Fridman Podcast #212

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Debunking new-age spirituality | Slavoj Žižek, Rupert Sheldrake, John Vervaeke and more

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Sam Harris | #338 - The Sin of Moral Equivalence

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John Pawson - Wooden Chapel

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Thumbnail of John Pawson - Wooden Chapel

Architecture

Presenting the US-debut of Jon Rafman’s “Punctured Sky” (2021) 🌟🐷❤️‍🩹 @jonrafman Jon Rafman’s artistic practice spans film, sculpture, photography and installation, incorporating the rich vocabulary of virtual worlds to create poetic narratives that critically engage with the present.    His work has been featured in prominent international exhibitions, including the 58th Venice Biennale (2019), and is represented in the permanent collections of the Museum of Modern Art (New York), Stedelijk Museum (Amsterdam), Moderna Museet (Stockholm), and many more.    The gallery is open until 6pm Saturday and Sunday. “Poets, Gamblers, Fools” is on view through the end of the year 🤍 #JonRafman

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Wrapped Armchair by Christo and Jean-Claude, 1964 #ChairOnly

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What is a cloud? How are humans affecting the air, the weather, and the conditions of the skies? How can climate be designed? Who owns an artificial storm? Cloud seeding is a type of weather modification that aims to change the amount or type of precipitation that falls from clouds by dispersing substances into the air that serve as cloud condensation. Through the artificial creation of ice crystals, weather modification can occur. Project Stormfury was an attempt to weaken tropical cyclones by flying aircraft and seeding them with silver iodide. The hypothesis was that the silver iodide would cause supercooled water in the storm to freeze, disrupting the inner structure of the hurricane, and this led to seeding several Atlantic hurricanes. However, it was later shown that this hypothesis was incorrect. It was determined that most hurricanes do not contain enough supercooled water for cloud seeding to be effective. Such experiments are problematic, as several changes of environmental legislation had to be made to enable these trials. From a postnatural perspective, weather conditions have turned into economic and political negotiations, unveiling the complexity of a new climatic environment in which the movements of storms, clouds, and air currents are modified according to specific interests. A geopolitical story of invisible particles that reshapes the way of understanding climatology. This and many more complex situations will be discussed during the “New Ecologies: De-centralizing the human through contemporary art” seminar, starting October 17th. All info on our website www.instituteforpostnaturalstudies.org

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