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Rolf Haubl, sociologist and psychoanalyst, insists that the role of objects is to carry memories. The real meaning of the thing then is within its mnemonic value. In a way, the chair becomes a sort of transformational object, gaining more significance after the passing of its owner. Granny Puckett’s essence and memory have been absorbed into it, especially for those left in her wake, who recognize the chair as an experience of remembrance.

We depend on the chair to bring back memories of Granny Puckett. Those who knew or heard stories of her experience the chair in different ways that deepen our connection to her. These stories create a history around the object, signifying the biography of the object itself, which “is no longer simply a dead or inanimate thing,” as Clive Dilnot proposes. “It possesses—or we attribute to it in our imaginations—sentience and power.”

By their nature, heirlooms tend to carry extra significance. The chair as a family heirloom is now a device that conjures memory and connection across time.

The biography of an object should not be restricted to an historical reconstruction of its birth, life and death. Biography is relational and an object biography is comprised of the sum of the relationships that constitute it.

Long-term thinking suddenly makes short-term thinking appear incredibly silly.

from “acquisition mode” to “enjoyment mode.”

One of the things I’ve discovered with buildings, particularly your so-called “high-road buildings” is they can become more amazing as time goes on. As that process proceeds, they are buildings that come to be loved. And once they’re loved, they’re safe, by and large. So the quality of mastery can be in the quality of the materials and crafting of a thing that invites that kind of caring, that will keep the thing going.