Kalyani Tupkary

I n eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world.  Extinct  is filled with curious, half-remembered objects, each one evoking a future that never

Is there a “Rosebud” object in your past? A long-vanished thing that lingers in your memory—whether you want it to or not? As much as we may treasure the stuff we own, perhaps just as significant are the objects we have, in one way or another, lost. What is it about these bygone objects? Why do they continue to haunt us long after they’ve vanished

The widespread adoption of the ‘desktop’ metaphor underscored that early personal computers would become workplace technologies.

Time isn’t like the other senses, Eagleman says. Sight, smell, touch, taste, and hearing are relatively easy to isolate in the brain. They have discrete functions that rarely overlap: it’s hard to describe the taste of a sound, the color of a smell, or the scent of a feeling. … But a sense of time is threaded through everything we perceive. 

you should collect whatever you fancy. And some things are obvious: images, quotes, facts. But there are non-obvious things that will come in handy one day. Analogies, metaphors, ideas, models, assumptions, habits, patterns, vibes, objects that express ideas, images that evoke occasions, things you don’t understand yet but that you feel will mean