Kalyani Tupkary

I n eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world.  Extinct  is filled with curious, half-remembered objects, each one evoking a future t

you should collect whatever you fancy. And some things are obvious: images, quotes, facts. But there are non-obvious things that will come in handy one day. Analogies, metaphors, ideas, models, assumptions, habits, patterns, vibes, objects that express ideas, images that evoke occasions, things you don’t understand yet but that you feel will mean s

Pemmaraju’s story urges us to consider the occasional senses of temporal dislocation that we all experience from time to time—instances of timecode drift within our consciousness, small insurgencies of slave clocks against a tyrannical master clock.