Kalyani Tupkary

I n eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world.  Extinct  is filled with curious, half-remembered objects, each one evoking a future that never

Cultures observing both linear and cyclic concepts of time see the past as something we have put behind us and the future as something that lies before us.

The story of Hvaldimir is, in no small part, about the longing between people and a curious animal to get to know one another, and about the transformations that can result. Why not advocate for  more  interaction between humans and animals, when they naturally and safely occur?