Kalyani Tupkary

I n eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world.  Extinct  is filled with curious, half-remembered objects, each one evoking a future that never

The story of Hvaldimir is, in no small part, about the longing between people and a curious animal to get to know one another, and about the transformations that can result. Why not advocate for  more  interaction between humans and animals, when they naturally and safely occur?

Pemmaraju’s story urges us to consider the occasional senses of temporal dislocation that we all experience from time to time—instances of timecode drift within our consciousness, small insurgencies of slave clocks against a tyrannical master clock.