Kalyani Tupkary

I n eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world.  Extinct  is filled with curious, half-remembered objects, each one evoking a future that never

For all time’s inherent malleability, people want it to be consistent, and more importantly, they want it to be theirs.

The design of our calendars — the way we arrange our days, weeks, and months — is a reflection of how we aspire to live our lives