Kalyani Tupkary
@kalyanitupkary
I design objects and interfaces - sometimes real, sometimes fictional.
Kalyani Tupkary
kalyanitupkary.com
A writing example: when I look back in my notes I realize so much of what I write about today I was ruminating about 2-3 years ago. I always knew what I was going to say. I just didn’t have the tools, I didn’t have the maturity, I didn’t have the language or sensitivity to beauty to recognize what that was. So much of what I learned was latent,... See more
Nix 🕊 • things that take time
Tega Brain – The environment is not a system
videos.theconference.seFeral Atlas
feralatlas.supdigital.orgA tool built for creativity should feel like a sunlit artist’s studio—spacious and inspiring, with windows you can open to allow the unexpected in.
Sari Azout • The End of Productivity
it describes the journeys of A. Square [sic – ed.] , a mathematician and resident of the two-dimensional Flatland, where women-thin, straight lines-are the lowliest of shapes, and where men may have any number of sides, depending on their social status.
Edwin A. Abbott • Flatland: A Romance of Many Dimensions
The idea of “vibes” discourages the more difficult work of interpretation, foregrounding the idea of affect as inexplicable, ineffable
Alex Vuocolo • Nameless Feeling — Real Life
Developing taste is an exercise in vulnerability: it requires you to trust your instincts and preferences, even when they don’t align with current trends or the tastes of your peers. Because while having taste is cool, taste itself reflects a certain type of uncool earnestness – a commitment to one’s own obsessions and quirks.
Elizabeth Goodspeed on the Importance of Taste – And How to Acquire It
Singer, an Australian philosopher, popularized the concept of “speciesism,” which he compared to racism and sexism. “All animals are equal,” he asserted, adding, “The basic principle of equality does not require equal or identical treatment; it requires equal consideration.” Singer did not actually advocate for legal rights but for expanded
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