("JP")

One of my (many) contrarian beliefs is that we do not have strong enough preferences. We often blame social media or the speed of information as the reason why we’re easily distracted, but the real reason behind our inability to focus has less to do with the sheer quantity of media and more to do with our laziness when it comes to distinguishing... See more

EVERYTHING IS ARCHITECTURE Alles ist Architektur is the title of a manifesto published in magazine Bau by Hans Hollein in 1968. According to Hollein, the traditional definition of architecture is no longer relevant. ‘Our efforts are focused on the en -vironment as a whole and all media that deter mine it. Television as well as the artificial... See more

Here's why MIT Building 20 could be considered an example of "Nakatomi Space" in real life:●Unconventional Design: Building 20 was a hastily constructed "temporary" structure during World War II, leading to a flexible and adaptable layout that differed from the more rigid designs of traditional academic buildings.1 ●Repurposing and Modification:... See more

Scenius is like genius, only embedded in a scene rather than in genes. Brian Eno suggested the word to convey the extreme creativity that groups, places or “scenes” can occasionally generate. His actual definition is: “Scenius stands for the intelligence and the intuition of a whole cultural scene. It is the communal form of the concept of the... See more

Getting a job through compulsive tweeting marked my first exposure to the digital attention economy that was beginning to monopolize the Internet. I grasped a new formula: content = attention = followers = profit. Anything that made enough noise online could be monetized in one way or another. My online presence increasingly felt like a carefully... See more

Always begin in mythology. It’s good fuel. Fables and fantasy don’t age or grow stale for one reason: They are a step into a dimension beyond the reach of time itself. Build with them.

Alexander is inspired by how design occurs in the natural world. "Things that are good have a certain kind of structure," he told me. "You can't get that structure except dynamically. Period. In nature you've got continuous very-small-feedback-loop adaptation going on, which is why things get to be harmonious. That's why they have the qualities

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“As for me, I am tormented with an everlasting itch for things remote. I love to sail forbidden seas, and land on barbarous coasts.” Million dollar words!

“we carry ancient beaches in our

pockets, transformed into prediction engines, each grain calculating our next desire.”