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“If you’d been scoring it in the conventional Hollywood way, the temptation would be to up the excitement factor, up the danger factor, all the time,” he added. “But Top Boy is really about children in a pretty bad situation. So I explored the internal world of the children, not just what’s happening to them in the external world.

“Quite a lot of... See more

The potential to build community-curated knowledge networks remains largely untapped. There are reasons to be optimistic; the economic feasibility of paid communities, a renewed interest in curation, a slow move away from big social, and an improved understanding of platform incentives. All combined, this will lead to communities that are more... See more

Ecologists have re-oriented their field as a “crisis discipline,” a field of study that’s not just about learning things but about saving them. We technologists need to do the same. Rewilding the internet connects and grows what people are doing across regulation, standards-setting and new ways of organizing and building infrastructure, to tell a... See more

More than anyone else today, Michael Ford has worked tirelessly to find and identify examples of hip-hop influenced architecture and made many arguments to define architecture’s role in hip-hop’s inception. While I call Moses the “true father,” this is a notion first forwarded by Ford, who has routinely coined Le Corbusier and Robert Moses the... See more

Over the course of the film, McClane blows up whole sections of the building; he stops elevators between floors; and he otherwise explores the internal spaces of Nakatomi Plaza in acts of virtuoso navigation that were neither imagined nor physically planned for by the architects.

His is an infrastructure of nearly uninhibited movement within the... See more