I’ve come to believe that developing taste is not so unlike going to therapy; it’s an inefficient, time-consuming process that mostly entails looking inward and identifying whatever already moves you.
Maybe this is all taking me back to Annie Dillard, my first writing teacher, whose influence on me abides, and who famously and reassuringly once wrote, “You don’t run down the present, pursue it with baited hooks and nets. You wait for it, empty-handed, and you are filled. You’ll have fish left over.” In other words, the empty-handedness is... See more
Another example of the legibility margin is online publishers. Take Facebook as an example. If I told you that you had to start paying $50/year to use Facebook, would you give it up?
Many people probably would, or they never would have joined in the first place. Yet, that’s how much Facebook earns from your account.
Kernel’s open source curriculum is an incredible resource for anyone interested in how designing digital spaces will change with the introduction of decentralized data storage and economics. From studying money through the lens of linguistics and culture to understanding, truly, how trust is constructed in complex systems, it’s the most sincere,... See more
I realized that the craftsmen of yore had elevated weaponry, a category of merely utilitarian objects, into some of the most exquisite things I had ever seen. They had taken objects of ubiquitous, vital importance in their respective eras and made them beautiful. My initial aesthetic shock was quickly replaced by jealousy — no one was lifting the... See more
The idea “the body as a mixer” is a framework to think of one’s self as that catalyst of events . By freely taking references from both sides of X, to affect change.
In DJ’ing we are taking two ideas together to make one moment. This goes out to the audience. A reaction is registered or not registered. We live in that loop. Or try to make the next... See more